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Quinze années d'études rousseauistes (II)
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  1. WATCHING THE DARKWORLD SERIES PDF Original - Free E-Book Download
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  3. Discussion utilisatrice:Hsarrazin/Archives2012
  4. Revue de Métaphysique Et de Morale, 1920, Vol. 27 (Classic Reprint) (French Edition)
  5. T 1393/10 (Procédé et préparation de panification pour pains de type français … of 16.7.2014

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Results for - t. All the latest offers delivered right to your inbox! To halt at the surface is to not recognize that the skin is not an end in itself, but rather the visible interface of the soul. The most mortal thing in the world! Only the soul is immortal, alas! But what does the soul count for now? Everything is made of human skin. Men no longer fight for honor, freedom and justice. They fight for their skins […] 5.

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Only the infinite limits the limitless. The infinite is not unlimited. Via the infinite, decreation seeks to confine our unbounded fascination with evil, to limit the unlimited, which gives end to everything. Evil is licence and that is why it is monotonous: everything has to be drawn from ourselves. But it is not given to man to create, so it is a bad attempt to imitate God. Not to recognize and accept this impossibility of creating is the source of many an error.

We are obliged to imitate the act of creation, and there are two possible imitations—the one real and the other apparent—preserving and destroying. There is in that of destroying. Hence when I create, I in fact merely imitate the act of creating. This chaotic gap of the original creation condemns to failure all tangible attempts at human creation as man cannot, in seeking to create, do other than destroy the movement of creation in which he is immersed.

May I disappear in order that those things that I see may become perfect in their beauty from the very fact that they are no longer things that I see.

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Discussion utilisatrice:Hsarrazin/Archives2012

When I am in any place, I disturb the silence of heaven and earth by my breathing and the beating of my heart. This withdrawal from creation does not signify a negation of human agency. It takes part in Creation. Let us consider how the digital and the Internet are in keeping with the process of decreation. The work exists, and we are the workers.

Revue de Métaphysique Et de Morale, 1920, Vol. 27 (Classic Reprint) (French Edition)

Yet, we must concede that this constitutes an act of faith in the art acheivable. It establishes the procedural reality of what is at work today, without accepting the market as sole criteria for attributing a value to art. We are neither idle, nor are we the masters of works. We are put to work by decreation that passes through technical means, and by a reality that has materialized and become popularised through the digital and its reticular way of transporting. Man will only rise above earthly things if a powerful equipment supplies him with the requisite fulcrum.

He must use matter as a support if he wants to get away from matter. In other words, the mystical summons up the mechanical […]. We must add that the body, now larger, calls for a bigger soul, and that mechanism should mean mysticism.

T 1393/10 (Procédé et préparation de panification pour pains de type français … of 16.7.2014

The origins of the process of mechanization are indeed more mystical than we might imagine. Machinery will find its true vocation again, it will render services in proportion to its power, only if mankind, which it has bowed still lower to the earth, can succeed, through it, in standing erect and looking heavenwards. Let us look, then, to this new sky: the new, immaterial and infinite space that is the Internet, in order to examine its living nature and the objects found within it.

We thereby distinguish a principle of creation associated with decreation: copyleft. It entitles users to study, copy, share and modify software creations, and comes with a fundamental obligation to keep these four rights intact.


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Let us take a prime example of a free, copyleft software from among the most renowned: the operating system Linux. It is of particular interest to us for in it was awarded the first prize, in the Internet category, at the Ars Electronica digital art festival 22 and was recognized as a work of art. For the first time in the history of art, an operating mechanism and piece of software, an object not created by an artist recognised as such, was considered a work of art. To deny the existence of art at work would be to equate the making of objects to a process of creation when in fact, the Internet and the digital are based on an act of decreation.

Neither creation, nor destruction, but infinite making that is eternally ending: moving objects adjusted to the very movement of their period of existence, through the cycle of updates. Wikipedia 23 is another good example of what can be identified as decreation at work. In this free, copyleft-licenced encyclopedia CC BY-SA 24 , there is no creation rather, the gathering of the fruits of existing knowledge , nor destruction acts of vandalism are quickly dealt with, and erroneous information swiftly corrected.

It is instructive. It is viewed and expanded by invention 25 , and the state of the world. After becoming aware of the process of free software creation, and enthused by the ethics behind copyleft, in I organised a discussion cycle with members of the art and free software worlds to ascertain if copyleft could be applied to objects other than just software. In the July, with the help of legal experts, the Free Art License was drawn up. The following is an extract from its preamble:. The Free Art License recognizes and protects these rights.

Their implementation has been reformulated in order to allow everyone to use creations of the human mind in a creative manner, regardless of their types and ways of expression […] The main rationale for this Free Art License is to promote and protect these creations of the human mind according to the principles of copyleft: freedom to use, copy, distribute, transform, and prohibition of exclusive appropriation.

Is it simply a question of transmitting the possibility of an art, to bring up to date the traditions that are today becoming set in their ways. This intangible heritage can be an expression of identity for a human community. In its fullest sense, tradition is both memory and intention, a collective conscience; a memory of what was, with the duty to transmit and enrich it. If I desire that this world should exist — this world in which I am but an atom — then I become a co-creator.

A rational creature is one that contains within itself the germ, the principle, the vocation of decreation. Selected quotes taken from the following English translations of the works cited by the author:. Routledge Classics, The Skin. Pickle Partners Publishing, West, Martin Litchfield, ed. Theogony and Works and days. General provisions.